''Life had been tough for him, and he saw how hard it was for some others.''. There was a moral obligation to get involved with their involvements. John shot from the hip. As a trustee there, John was responsible in 1961 for bringing in as director the distinguished but controversial James Johnson Sweeney, former director of the Guggenheim Museum in New York. Expanding. Unlike the normal superwealthy, their pursuits do not run to clubs, yachts or horseracing. BUT, AS DOMINIQUE likes to point out, she and John didn't start out rich. The German art dealer Heiner Friedrich; his wife, Philippa de Menil (daughter of the noted philanthropist Dominique de Menil); and art historian Helen Winkler founded Dia Art Foundation in 1974. When John de Menil walked into Alexander Iolas Gallery in Paris one day in 1964, Jean Tinguely's moving, noisy sculptures stole part of . It is often cited as one of the most significant privately assembled art collections, alongside the Barnes Foundation and the J. Paul Getty Museum. One of the world's largest corporations - its stock was worth nearly $10 billion at the end of 1985 - it employs some 73,000 people in more than 100 countries. Behind that fragile, otherworldly facade is a complex person of very ambitious reach.''. Though the building is not loved by some of Dominique's children, it is hoped that eventually the varied holdings of all of them will repose there, too. [1] She also published articles on film technology in the French journal La revue du cinma.[4]. His accomplished wife, Lois, a political historian with a Ph.D. from Harvard, is writing a book on a prominent 19th-century Schlumberger ancestor, Francois Guizot, Premier of France under Louis Philippe. [1] American Sufi leader Dominique, who earned a degree in mathematics at the University of Paris, was the product of a cultivated family that had, in the late 19th century, built a textile fortune. ''We changed the basic political structure of Houston,'' says Hofheinz -now chairman of Tangent Oil and Gas - whose four-year mayoral stint corresponded with Houston's ''go-go'' period of growth. by Paula Newton November 11, 2013. by Paula Newton November 11, 2013. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. After being met with increasing resistance by the more traditional Basilian clergy at the University of St. Thomas, in 1969 the de Menils moved the art departmentincluding the art history facultyand Media Center to Rice University, where they founded the Institute for the Arts to manage the exhibition program at Rice Museum. Beyond the family, their influence has been substantial, too. [30], In the 1980s de Menil again began looking for an architect to design the museum, eventually commissioning Renzo Piano, a renowned Italian architect known for his provocative Centre Georges Pompidou building in Paris, to come up with a design that would fit her vision for the museum. ''The things I've collected resemble the sort of works my parents acquired, but maybe less broad in range and less expensive,'' he says, pointing out, on a hall wall, a favorite Braque painting of his father's given him by Dominique. TimesMachine is an exclusive benefit for home delivery and digital subscribers. Seven years later, John joined Schlumberger Ltd. Their backgrounds were very different. You can look up the words in the phrase individually using these links: philippa? The reunited family went to Houston, then the American headquarters for the company. Today, Dominique says, her relationship with the still-small institution is ''very friendly. A more reticent, but still attention-getting, project is Adelaide's 40-acre housing complex, set in a former potato field not far from Francois's establishment. GROWING UP IN HOUSTON, ADELAIDE DE MENIL was embarrassed to bring her friends to the art-filled home of her parents, Dominique and John de Menil. Ingersoll, Richard. .''. Small wonder that in Houston, a city where, as a local gadfly once observed, ''it's easier to be rich than interesting,'' the de Menils are something of a legend. Like the other children, he realizes fully that his parents are a difficult act to follow. Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. And Donald Judd has gone public with vociferous denunciations of the foundation, which is now but a shadow of itself. ''Each of the children,'' says Adelaide now, ''would have preferred his or her own choice of architects, but after all, it is my mother's museum. Indeed, Adelaide has recently given the museum an important piece from her collection. Heiner Friedrich is an art dealer and collector of minimal art and conceptual art. Fariha de Menil Friedrich discussed the main principles of Sufism, how it can be a friend and a helper in the contemporary puzzle of conflicting visions and religious doctrines and reflected on how her early life in Houston influenced her spiritual search. The Barnett Newman ''Broken Obelisk,'' made of Cor-Ten steel, stands 26 feet high in a reflecting pool that faces the chapel's entrance. ''I'm extreme and I have strong tastes,'' says Christophe, who is also an excellent though unexhibited photographer. Philippa de Menil New York. But when the artist arrived, she appeared for a moment only. He did. Carr, Annemarie Weyl, and Laurence J. Morrocco. ''Ted really started it - he saved an old house that was going to be demolished, and so we bought the land,'' she says. When they arrived there from Paris in the early 1940's, they were not yet as wealthy as they would become, but they were almost too interesting. battle of omdurman order of battle. They were compelling.'' ''Dominque said, 'I'll take it,' and she bundled herself in a tacky fur coat and went trudging through the rain, arriving at Levi-Strauss's looking like a drowned rat. ''I'm really too busy to see you today,'' she announced, and vanished. Friedrich and his then wife Philippa de Menil, together with Helen Winkler, established the Dia Art Foundation in 1973. ''They came as intellectuals to an intellectual void,'' says Isaac Arnold Jr., chairman of Houston's Museum of Fine Arts and also of Quintana Petroleum. After Sheikh Nur's passing, she would take on the guidance of the Nur Ashki Jerrahi Sufi Order and it's circles of dervishes around the world. [1] At Rice, the de Menils also cultivated their interest in film, working with such noted filmmakers as Roberto Rossellini, who made several trips to Houston to teach Rice University students and create television documentaries. The artists previously collaborated with the Dia Art Foundation, which was founded by Philippa de Menil (Dominique and John's daughter), to realise their monumental immersive light installation. Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. It also features temporary exhibitions. Ironically, planned in a time of boom for Houston, the museum will be finished in a time of bust, due to falling oil prices. Under a five-year plan negotiated with Rice, the de Menils took with them the art library and many of the staff members they had recruited for St. Thomas. [1], She was born in 1947 into a socially committed, eclectic French Catholic family in Houston, Texas. Fariha, born Philippa de Menil, . (An uncle, Jean Schlumberger, helped found the celebrated literary magazine Nouvelle Revue Francaise). de? She received direct transmission from him in 1980. ''You support artists by buying their work, not by making shrines to them.''. But I think it will turn out superbly.''. Apr 18, 2018 1:37PM. Designed by the Italian architect Renzo Piano, co-creator of the high-tech Pompidou Center in Paris, the museum is so favorably looked upon by Houston bigwigs that more than half of its building costs are being met by local money. In 1974, Friedrich and his future wife, Philippa de Menil, the youngest child of Dominique and John de Menil of the Schlumberger oil fortune, created the Dia Art Foundation. And when John died in 1973, he left his estate in part to Dominique and in part to the Menil Foundation, set up in 1954 to support ecumenism, education, the arts and minority causes. An ongoing project that seeks to catalogue and study the depiction of individuals of African descent in Western art, it is now under the aegis of Harvard University. When de Menil learned that a group of 13th-century Byzantine frescoes had been stolen from a chapel in Lysi, Cyprus, and cut up by smugglers, she paid the ransom and funded their restoration. ''Things just happen to me.'' John liked to gather the interesting, the creative and -by Houston's standards - the outrageous around him: black activists, artists, poets, renegades of every sort. They buttressed a budding art history department, established an Institute for the Arts that sponsored exhibitions, lectures and events, and created an ''Art Barn'' for exhibitions. '', AT 78, DOMINIQUE IS A HANDSOME WOMAN OF frail, unassuming presence, whose ''spiritual'' mien and austere garb evoke the image of a medieval saint. ''She feels a museum is all about interior spaces. (Once, for instance, he surprised the dance critic Jill Johnston with a round-trip ticket to England, so she could visit her birthplace.) ''What I inherited was my mother's craving. Dominique gracefully dismisses the criticisms of the building - planned by her and John since the early 1970's - primarily voiced by Christophe and Adelaide, who wanted a designer of more weight than Renzo Piano. [14] They were instrumental in the Contemporary Arts Association's decision to hire Jermayne MacAgy as its director; she curated several groundbreaking exhibitions, including "The Sphere of Mondrian" and "Totems Not Taboo: An Exhibition of Primitive Art. Called ''well logging,'' the process became the basic asset of the company, eventually proving indispensable to oil companies around the world. There, surreal-looking dress dummies and women assistants with pins in their mouths share space with art by Cy Twombly, Yves Klein, Ralph Humphrey and John Chamberlain as well as furniture by the late Charles James, Dominique's favorite dress designer. [25], The de Menils had originally made plans to build the Rothko Chapel in 1964 when Dominique de Menil commissioned a suite of meditative paintings by Mark Rothko for an ecumenical chapel intended for the University of St. Thomas as a space of dialogue and reflection between faiths. At the sale, Dominique bought a Barnett Newman and Adelaide picked up her first de Kooning.) While sharing their tastes, the children have also expanded considerably their parents' life style. De Maria had traveled to Santa Barbara for his mother's 100th birthday in early June; however, he went on to . You can't just expand and expand. He met Philippa through Helen Winkler, an employee of the Menil Foundation. Says Philip Johnson, who met Dominique and John when they were ''still living in a tract house'' in Houston, ''They were unpretentious, yet arrogant enough. Giovannini, Joseph. The theoretical thrust of ''The Image of the Black'' reflects Dominique more than John, whose interests were apt to find more direct expression. [2], De Menil was born Dominique Isaline Zelia Henriette Clarisse Schlumberger, the daughter of Conrad Schlumberger and Louise Schlumberger (ne Delpech), Calvinist Alsatians. Thus, the 657,829 shares owned by Georges de Menil and his wife and children, now worth about $20 million, have shrunk in value from the $57 million they were worth at the stock's high. Also on display in Richmond Hall are four examples of Flavin's "monuments" to V. Tatlin, created between 1964 and 1969.[1][36]. Although family members say that the decline has affected them ''minimally,'' Dominique de Menil notes, ''A lot has been eroded. When the de Menils acquired the sculpture in 1968, the year the Rev. [7], The de Menils were particularly interested in modern European art, and a core strength of the collection was the many Cubist, Surrealist, and other Modernist works they acquired. When their children were still young, and Schlumberger shares were worth comparatively little, John and Dominique de Menil decided they would put half of their holdings in trust funds for each of their five children. Both pupils received new Sufi names. I spent hours talking with John about world politics and philosophy. Dominique and John de Menil, circa 1967. [32], Dedicated on June 7, 1987, the Menil Collection exhibits objects from John and Dominique de Menil's collection, including selections of African Art, a vast collection of Surrealist pieces, and the work of a number of contemporary American artists such as Jackson Pollock, Barnett Newman, Clyfford Still, Robert Motherwell, Cy Twombly, and Mark Rothko. Later, attending classes at night, he got a degree from the University of Paris, adding other degrees in political science and law before taking his compulsory army service in the Rif Mountains of Morocco during some tribal wars - and falling in love for life with Africa. As a subscriber, you have 10 gift articles to give each month. She recently bought another place near Sag Harbor, and in Manhattan she has a splendid three-story former carriage house with a swimming pool on the ground floor, redone with help from the Los Angeles architect Frank Gehry and the ''light sculptor'' Douglas Wheeler. While fostering bonds with the greater Sufi & Muslim American communities, the role of women in Islam and spiritual ecology have been of special importance to her message. Soon, Rice was a beehive of arts activities. Though the collection has strengths in Mediterranean antiquities, Eurasian and European artifacts, African art, Cubism, Surrealism and contemporary American and European works, it lacks a museum ''profile.'' The chapel, opened in 1971, is an all-faith center, a ''no man's land of God,'' Dominique says. ''The funny thing is, how it came out in me after my parents' collecting,'' says Philippa, a fresh-faced blonde who has her mother's unpretentious manner and good looks. And she was surrounded by accomplished relatives. As with the de Menils' Houston home, by Texas standards the building is more than a little understated. Dia Art Foundation, American foundation that supports contemporary art and artists, est. Philippa de Menil New York. (Philippa's first name was changed to Fariha when she converted to Islam during the wedding ceremony to Heiner) and co-founded Dia with Helen Winkler in the mid to late 1970s. You might try using the wildcards * and ? ''Yet I admire them, and I don't want to belittle their achievements.'' Expansive main-floor displays will be made up of works in the storage areas, with space set aside for the spectacular theme shows that Dominique and the museum's director, Walter Hopps, have been doing together for years. They ultimately amassed more than 17,000 paintings, sculptures, decorative objects, prints, drawings, photographs, and rare books. I'M VERY PROUD OF them,'' Dominique says of the children, ''and gratified that they have John's and my interests. ''But there were all these weird paintings hanging on the walls,'' she says. tion in 1974, run by Philippa de Menil, Heiner Friedrich and Helen Winkler. They hated the result, and hid it away. She began to collect work by contemporary Americans even before her parents did, and exerted considerable influence on their acquisitions in the field. '', Because Dominique saw ''collecting'' as pretentious, she was reluctant until recently to use the term. Eventually - despite their contributions of time and art - their ambitious projects brought them into conflict with budget-minded trustees. They helped make a black militant who hated white people into a humanitarian.'' After the Nazi invasion of France, Dominique fled Paris with her then-three children (Georges was a babe in arms), made her way to Spain and at Bilbao boarded a small freighter for Havana. The building, primly sheathed in what one Houstonian calls ''Protestant gray clapboard'' (probably a first for a museum in this country), has on the ground floor exhibition spaces set in a landscaped garden. Of the siblings, she has also undertaken the most wildly ambitious involvement with the arts, as patron of the financially troubled Dia Foundation, whose aim is to support venturesome artists' projects of a nature or scale that make it difficult to obtain other backing. [34] The frescoesa dome with Christ Pantokrator and an apse depicting the Virgin Mary Panayiawere installed in a reliquary-like space interior where they were displayed until March 2012, at which time they were returned to the Church of Cyprus. I could have worked with Dominique.''. Christophe, a tall, graceful woman, who has a long history of supporting ''difficult'' art projects, began designing costumes for Robert Wilson in 1981. ''In the here and now, with great acuity and effectiveness; but also, at a moment's notice, in the Kingdom of Benin or the Byzantine Empire.'' Kahn did produce some preliminary drawings, but the project was suspended in 1973 after John de Menil's and Kahn's deaths less than a year apart. Pianissimo: The Very Quiet Menil Collection., Holmes, Ann, and Patricia C. Johnson. Millionaires are different from us, as everyone knows, but as a clan the de Menils are different even from their fellow millionaires, most noticeably in the unconventional ways in which they spend their money. Articles in Zest section The Menil Opens.. Ibish, Yusuf, and Peter Lamborn Wilson, eds. key biscayne triathlon 2022 [1], In addition to becoming known as collectors and patrons of art, John and Dominique de Menil were vocal champions of human rights worldwide. The black under-taker who attended him provided a plain, rope-handled pine coffin, which was transported by Volkswagen van to the de Menils' parish church. [1] After Jermayne MacAgy's death in 1964, de Menil took over her classes and became the chairperson of the art department at the University of St. Thomas, curating several exhibitions over the next few years. She is not a ''go-getter,'' she insists in her French-tinged English. The story goes back to the early 70's when Heiner, a European dealer, transferred his activities to New York, while retaining his interest in his Munich gallery. (Brought up a Protestant, she converted to Catholicism to marry John.) But as a friend notes, ''She is maybe not so much a collector as a catalyst who makes things happen.'' And early last year, facing an inquiry by the New York State Attorney General into its management practices - with a debt of more than $6 million, a projected budget of $5 million, but no visible source of income - Dia began to pull in its horns. ''Mother lives at two levels,'' says Georges. And there is no question that Houston's cultural establishment takes the new museum quite seriously. The issue was really the kind of institution St. Thomas was to be - would it maintain its Catholic identity or would it become a secular college? Plans called for Bob Dylan to sing at the service, but he was unavailable, and a tape was played of John's Dylan favorites. Christophe, who at 53 is the oldest (and a grandmother of three, by her daughter Taya) has always been attuned to the avant-garde. (Spookily enough, another dwelling she had built on the same site about 20 years ago met the same end.) Philippa De Menil Bio Details Full name Philippa De Menil Gender Female Age 71 (approx.) v t e Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. Schlumberger Ltd. - tHE Source of the de Menil family's fortune - was established in 1934 by Conrad Schlumberger, Dominique de Menil's father, and Marcel Schlumberger, her uncle. Yet these holdings, together with those of the nearby Museum of Fine Arts and the Contemporary Arts Museum, should boost Houston's cultural status to that of a world-class center for the visual arts. So serious, in fact, was the recent plight of Dia that Dominique asked her son Georges, a trustee of Philippa's inheritance, to help. Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. But we are definitely a collection of people very much influenced by John and Dominique. There are some who think they're crazy. Photo by Michael Schmelling ''Before that it was the old Bourbon alliance, blue-collar whites and white-collar businessmen. She said. By the 1960s the de Menils had gravitated toward the major American post-war movements of abstract expressionism, pop art, and minimalism. Staff Interface | ArchivesSpace.org | Hosted by LYRASIS, Art and soul of GZ [ground zero] imams holy-pal heiress, 2010-09-27. Their fervor spilled over into us. I never really wanted to collect, but the idea of a foundation that would help artists build excited me. Looking back, I suppose we were too ambitious, and they felt overwhelmed.'' Early in 1969, the de Menils transferred their patronage from St. Thomas to Rice University, a secular, science-oriented school then beginning to branch out into the liberal arts. The children and their mother also occasionally drop in on Val-Richer, the vast estate in Normandy passed down by Schlumberger ancestors. WHERE THE DE MENIL MONEY COMES FROM. The caller hung up. Easily the most spectacular residence is Francois's, built a few years ago on seven acres of expensive East Hampton beachfront as a vacation retreat from his handsome Manhattan apartment. Their associates tend not to be other superrichlings, but artists, film makers, poets, anthropologists, activists, professors, priests and - in the case of Philippa, who is involved with Sufism, an Islamic philosophy - sheiks and whirling dervishes. As modernists, they recognized the profound formal and spiritual connections between contemporary works of art and the arts of ancient and indigenous cultures, broadening their collection to include works from classical Mediterranean and Byzantine cultures, as well as objects from Africa, Oceania, and the Pacific Northwest. Like the Rockefellers, the de Menils are distinguished by the variety and scope of their art interests. she asked, in genuine surprise. Their actions in Houston focused upon the Civil Rights Movement in particular. [1] They had five children: Marie-Christophe (who was married to Robert Thurman and was the grandmother of artist Dash Snow), Adelaide (a photographer who is the widow of anthropologist Edmund Snow Carpenter), George de Menil (an economist), Franois (a filmmaker and architect), and Philippa (co-founder of the Dia Art Foundation[5] and the leader of a Sufi order in Lower Manhattan[6]). The gray clapboard of the museum is in keeping with the small, traditional timber-frame homes -some used as foundation offices, others rented to friends, associates and various locals - that surround it. Collector-watchers point out, however, that - starting later and with less money - the de Menils have not yet managed to give us the equivalent of the Cloisters, the Museum of Modern art and Colonial Williamsburg. The enigmatic Friedrich quit New York, disappeared into a wandering, art-mad exile; Philippa de Menil, the embattled heiress, had long since ceased to exist. [7] Her first husband (whom she married on May 14, 1969, in Harris County, Texas) was Italian anthropologist Francesco Pellizzi (born July 14, 1940). (As one Texan commented, ''The de Menils have done so much good with so little money,'' pointing out that their wealth was ''really peanuts, compared to some fortunes down here.'') Website http://www.diaart.org Industries. The bulk of the vast collection - reportedly worth between $150 milllion and $175 million - will be kept on the second floor in open storage, visible to anyone who wants to see it. The de Menil museum in Houston, with its big main-floor display space and a second floor for open storage of art objects, embodies her vision of a museum as a place of ''beauty and enchantment, even before it's a teaching institution, a place where things can be seen on multiple levels, with a relationship made between the objects and the way they are presented.'' Christophe, for example, was once chided by an East Hampton hostess for not showing up at a party. While the city council hemmed and hawed over acceptance of the gift, Newman himself suggested that it be placed at its present site. Very much the image of upper-class young marrieds, the pair rode horseback in the Bois de Boulogne, and confined their artistic interests to the likes of Christian Berard, a lightweight Parisian contemporary. 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